MOZART'S ROSES
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  • W - Other Mozart
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Honorine de Brabant

MOZART: SINFONIA CONCERTANTE IN E-FLAT (K. 364, 1779)

(Excerpted from program notes for Grace Woods listening salon September 6 & 8, 2021)

Picture
Mozart, c. 1781, detail from portrait by Johann Nepomuk della Croce
​Between 1777 and 1785 several major events impacted the life and compositional style of Wolfgang Amadeus Mozart (1756-1791). 
(See: Second Influence- Masonic Funeral Music and Third Influence- "Dissonant" String Quartet No. 19 in C major)
The first of these occurred during the lengthy journey of 16 months that he and his mother undertook to Munich; Mannheim, an important music city and the seat of the Elector Palatinate in what is now western Germany; all in an intense effort to secure a permanent position in a music-loving court anywhere but in Salzburg. Mozart gained significant valuable new tools for his composing: exciting dynamic possibilities and the relatively recent addition of clarinets to the orchestra’s palette. 
Picture
The courtyard of the palace at Mannheim
​But while in Paris, his mother contracted a fever which neither the family’s usual remedies nor a physician could cure; she died there in early July, 1778. Although Mozart had been sending numerous letters to his father in Salzburg giving accounts of his journey and the events occurring in the places he visited, he totally avoided revealing his mother’s death. Only upon his return to Salzburg in January 1779 did he tell his father and sister that sorrowful news. 
Picture
Marie Anna Mozart, 1775
One can only imagine the grief the three Mozarts shared in that year. It appears that Wolfgang’s mourning found an outlet in his composing the Sinfonia Concertante in E-flat (K. 364, 1779). This hybrid concerto/symphony features a solo violin and solo viola with an orchestra including the unusual richness of 2 viola parts. The solo viola part, written in D major, would have required the performer to re-tune (scordatura) his instrument to perform in E-flat, giving it a brighter sound. How remarkable an expression of intimate grief this work reflects might be recognized by the fact that both Wolfgang and his father were skilled performers on the two solo instruments: Leopold, after all, had literally written the book on playing the violin! In my view, the solo viola captures the “voice” of Leopold and the solo viola that of his son Wolfgang. There is, however, no record of the work having been performed in Mozart’s time, although some surmise it was probably performed in Salzburg soon after it was completed. The second movement, in dark C minor, is a quintessential elegy, even to having a funerial procession passage in the course of its unfolding. This passage is highly significant, as it will also appear in a composition of 1785 written for the funeral ritual for two aristocratic Freemasons in Vienna. 

Mozart's Sinfonia Concertante in E-flat, K. 364
Itzhak Perlman, violin | Pincha Zukerman, viola
Israel Philharmonic, Zubin Mehta, conductor

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The Magic Flute, II,28.
Picture
"(Die Liebe) mag den Weg mit Rosen streun, weil Rosen stets bei Dornen sein"
"(Love) may strew the path with roses, because roses always come with thorns"
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  • Home
  • N - The Magic Flute
    • Magic Flute Overview Essay
    • Magic Flute Plot
    • Magic Flute Key Relationships
    • Magic Flute Original Production
    • Magic Flute Set and Costume Design
    • Magic Flute Set Inspirations
    • Magic Flute Legacy of Rosenkreuz
    • Magic Flute Freemasons and Rosicrucians
  • NE - Welcome!
  • E - Other Music
    • E - Music Genres >
      • 3 Lenten Works
      • A Few Little Words About the Motet
      • Facts and Fun about Madrigals
      • The Mass
      • Origins and Flourishing of the Concerto
      • What is a Requiem?
    • E - Composers >
      • Bartok: A Biography
      • Haydn: A Tribute
    • E - Extended Discussions >
      • Allegri: Miserere
      • Bach: Cantata 4
      • Bach: Cantata 8
      • Bach: Chaconne in D minor
      • Bach: Concerto for Violin and Oboe
      • Bach: Motet 6
      • Bach: Passion According to St. John
      • Bach: Prelude and Fuge in B-minor
      • Bartok: String Quartets
      • Brahms: A German Requiem
      • David: The Desert
      • Durufle: Requiem
      • Faure: Cantique de Jean Racine
      • Faure: Requiem
      • Handel: Christmas Portion of Messiah
      • Haydn: Farewell Symphony
      • Liszt: Évocation à la Chapelle Sistine"
      • Poulenc: Gloria
      • Poulenc: Quatre Motets
      • Villa-Lobos: Bachianas Brazilieras
      • Weill
    • E - Grace Woods >
      • Grace Woods: 3-27-23
      • Grace Woods: 1-16-23
      • Grace Woods: 12-12-22
      • Grace Woods: 11-21-2022
      • Grace Woods: 10-31-2022
      • Grace Woods: 10-2022
      • Grace Woods: 8-29-22
      • Grace Woods: 8-8-22
      • Grace Woods: 9-6 & 9-9-21
      • Grace Woods: 5-2022
      • Grace Woods: 12-21
      • Grace Woods: 6-2021
      • Grace Woods: 5-2021
    • E - Trinity Cathedral >
      • Program Notes: 11-20-09
      • Program Notes: 11-16-12
      • Program Notes: 4-18-14
      • Program Notes: 11-21-14
      • Program Notes: 4-3-15
      • Program Notes: 3-25-16
      • Program Notes: 4-14-17
  • SE - Original Compositions
    • Trinity "Hodie" Service
    • "Peace I Leave With You"
    • "The Road Not Taken"
    • "Epiphany"
  • S - Roses
    • Introduction
    • Sources for Old Roses
    • Useful and Interesting Rose Books
    • Around the Garden
    • 2012 Rose Garden
    • BOURBON
    • CENTIFOLIA
    • DAMASK
    • FLORIBUNDA
    • GROUND
    • HYBRID MUSK
    • HYBRID PERPETUAL
    • NOISETTE
    • OLD SHRUB
    • PIMPINELLIFOLIA HYBRID
    • POLYANTHA
    • PORTLAND
    • RUGOSA
  • SW - Chamber Music
    • 12/93 The Shostakovich Trio
    • 10/93 London Baroque
    • 3/93 Australian Chamber Orchestra
    • 2/93 Arcadian Academy
    • 1/93 Ilya Itin
    • 10/92 The Cleveland Octet
    • 4/92 Shura Cherkassky
    • 3/92 The Castle Trio
    • 2/92 Paris Winds
    • 11/91 Trio Fontenay
    • 2/91 Baird & DeSilva
    • 4/90 The American Chamber Players
    • 2/90 I Solisti Italiana
    • 1/90 The Berlin Octet
    • 3/89 Schotten-Collier Duo
    • 1/89 The Colorado Quartet
    • 10/88 Talich String Quartet
    • 9/88 Oberlin Baroque Ensemble
    • 5/88 The Images Trio
    • 4/88 Gustav Leonhardt
    • 2/88 Benedetto Lupo
    • 9/87 The Mozartean Players
    • 11/86 Philomel
    • 4/86 The Berlin Piano Trio
    • 2/86 Ivan Moravec
    • 4/85 Zuzana Ruzickova
  • W - Other Mozart
    • Mozart: 1777-1785
    • Mozart: 235th Commemoration
    • Mozart: Ave Verum Corpus
    • Mozart: Church Sonatas
    • Mozart: Clarinet Concerto
    • Mozart: Don Giovanni
    • Mozart: Exsultate, jubilate
    • Mozart: Magnificat from Vesperae de Dominica
    • Mozart: Mass in C, K.317 "Coronation"
    • Mozart: Masonic Funeral Music,
    • Mozart: Requiem
    • Mozart: Requiem and Freemasonry
    • Mozart: Sampling of Solo and Chamber Works from Youth to Full Maturity
    • Mozart: Sinfonia Concertante in E-flat
    • Mozart: String Quartet No. 19 in C major
    • Mozart: Two Works of Mozart: Mass in C and Sinfonia Concertante
  • NW - Kaleidoscope
    • Whimsy >
      • Egg Art
      • Exceptional Artifacts
      • Garden Ephemera
      • Musical Rarities
      • Nature
      • Reading Recommendations
      • Travel
    • Alfred Whittaker Introduction >
      • Alfred Whittaker CV
      • Alfred Whittaker Essays
    • Multidisciplinarity in Education and Research
  • Contact