MOZART'S ROSES
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      • 3 Lenten Works
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      • Allegri: Miserere
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      • Liszt: Évocation à la Chapelle Sistine"
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    • E - Grace Woods >
      • Grace Woods: 3-27-23
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    • E - Trinity Cathedral >
      • Program Notes: 11-20-09
      • Program Notes: 11-16-12
      • Program Notes: 4-18-14
      • Program Notes: 11-21-14
      • Program Notes: 4-3-15
      • Program Notes: 3-25-16
      • Program Notes: 4-14-17
  • SE - Original Compositions
    • Trinity "Hodie" Service
    • "Peace I Leave With You"
    • "The Road Not Taken"
    • "Epiphany"
  • S - Roses
    • Introduction
    • Sources for Old Roses
    • Useful and Interesting Rose Books
    • Around the Garden
    • 2012 Rose Garden
    • BOURBON
    • CENTIFOLIA
    • DAMASK
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  • SW - Chamber Music
    • 12/93 The Shostakovich Trio
    • 10/93 London Baroque
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    • 2/93 Arcadian Academy
    • 1/93 Ilya Itin
    • 10/92 The Cleveland Octet
    • 4/92 Shura Cherkassky
    • 3/92 The Castle Trio
    • 2/92 Paris Winds
    • 11/91 Trio Fontenay
    • 2/91 Baird & DeSilva
    • 4/90 The American Chamber Players
    • 2/90 I Solisti Italiana
    • 1/90 The Berlin Octet
    • 3/89 Schotten-Collier Duo
    • 1/89 The Colorado Quartet
    • 10/88 Talich String Quartet
    • 9/88 Oberlin Baroque Ensemble
    • 5/88 The Images Trio
    • 4/88 Gustav Leonhardt
    • 2/88 Benedetto Lupo
    • 9/87 The Mozartean Players
    • 11/86 Philomel
    • 4/86 The Berlin Piano Trio
    • 2/86 Ivan Moravec
    • 4/85 Zuzana Ruzickova
  • W - Other Mozart
    • Mozart: 1777-1785
    • Mozart: 235th Commemoration
    • Mozart: Ave Verum Corpus
    • Mozart: Church Sonatas
    • Mozart: Clarinet Concerto
    • Mozart: Don Giovanni
    • Mozart: Exsultate, jubilate
    • Mozart: Magnificat from Vesperae de Dominica
    • Mozart: Mass in C, K.317 "Coronation"
    • Mozart: Masonic Funeral Music,
    • Mozart: Requiem
    • Mozart: Requiem and Freemasonry
    • Mozart: Sampling of Solo and Chamber Works from Youth to Full Maturity
    • Mozart: Sinfonia Concertante in E-flat
    • Mozart: String Quartet No. 19 in C major
    • Mozart: Two Works of Mozart: Mass in C and Sinfonia Concertante
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Topaz Jewel

Franz Liszt: "Évocation à la Chapelle Sistine"


(Excerpted from the Trinity Cathedral 2017 Good Friday Concert Program Notes)

​“Evocation de la Sistine Chapel”, by Franz Liszt
by Dr. Judith Eckelmeyer

​At the height of his career, Franz Liszt (1811-1886) was an international super-star, arguably the premier piano virtuoso of his day. Born in a small town near Sopron, Hungary, he very early began piano studies with his amateur-musician father, and by 9 was being supported in his musical education by Hungarian gentry. He then quickly moved on to study in Vienna with major teachers such as Czerny and Salieri in both piano and composition. He was a success in the rarest of circles, meeting aristocrats and major figures such as Beethoven and Schubert, and beginning to see his own compositions published. By age 22 he was concertizing across Europe and settled in Paris where his performing created a sensation. Further travels to England and the continent cemented his place as an incomparable performer; meanwhile he was turning out brilliant new piano works and transcriptions of other composers’ orchestral and vocal works.
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Franz Liszt in 1858
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Carl Czerny 1794
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Portrait of Salieri by Joseph Willibrord Mähler
​Liszt’s attention expanded to include religion and church music about the same time he fell in love and began an affair with Countess Marie d’Agoult, who left her husband to live with Liszt. They had two daughters and a son over a five-year period, and then, in 1839, when their relationship cooled, Liszt left the countess to begin even more extensive touring and concertizing. His composition expanded to the orchestral sphere, and he was engaged as a composer and conductor of orchestral works and operas in Weimar. Here he began his final liaison (of about 40 years) with Princess Carolyne Sayn-Wittgenstein, sister of the Russian Tsar and the wife of a Russian military officer. As an adherent of the Wagnerian “Music of the Future” Liszt faced opposition, and the princess’s unfavorable status made life in Weimar increasingly untenable for them. In 1861 the two moved to Rome, living separately because the princess was unable to receive a divorce from the Pope. Liszt took minor orders in the Catholic Church, meanwhile focusing on religious compositions. From 1869 till his death, except for a final brief tour, he primarily divided his life between Rome, Weimar, and Budapest to give master classes.
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Marie d'Agoult (1843), painting by Henri Lehmann.
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Princess Sayn-Wittgenstein in an 1847 daguerrotype
​Until about 1836, remarkably, Liszt had had very little connection with the other keyboard of his time—the organ. According to Zoltán Gárdony  (“The Organ Music of Liszt” in The New Hungarian Quarterly, 1985), while visiting the Cathedral of St. Nicholaus in Fribourg that year, he improvised on the cathedral’s organ, which had very recently been built. The organ maker was in attendance and assisted with his registration. Liszt, familiar of course with the keyboard, created a complex work on the manuals but added little in the pedals. Then in 1840 he heard Mendelssohn perform Bach’s organ music and began to study the Baroque master’s organ works, primarily by transcribing them for piano. In 1845, inspired by Schumann’s compositions for pedal-piano, Liszt had a “piano-organ” made for himself and installed in his Weimar home.
Balazs Szabo plays Franz Liszt's Lied an den Abendstern by Wagner in Liszt's transcription on Liszt's own piano-organ that he restored 2008-13 at the first Harmonium Festival on 6/15/16. This rare instrument has never been heard outside of Budapest.

​This led to his incorporating the organ as an accessory to choral works. By 1850, he was composing independent works on the instrument. It was not until about 1862, a year or so after his move to Rome, that he composed the “Evocation à la Chapelle Sixtine”. Gárdony terms the piece a “fantasia and free paraphrase”. It was inspired by both Mozart’s “Ave verum corpus” and Allegri’s “Miserere”, which Liszt had heard in the Sistine Chapel. Liszt dedicated the work to A. W Gottschalg, an organ composer and teacher, who helped Liszt with his transcriptions for organ and who ultimately became curator of Liszt’s organ music in Weimar.
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Alexander Wilhelm Gottschalg
"Evocation à la Chapelle Sixtine" de Franz Liszt par Xavier Darasse à l'orgue Aristide Cavaillé-Coll de la Basilique Saint-Sernin de Toulouse. (Enregistrement 1966 : Collection Vox-Tournabout)

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The Magic Flute, II,28.
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"(Die Liebe) mag den Weg mit Rosen streun, weil Rosen stets bei Dornen sein"
"(Love) may strew the path with roses, because roses always come with thorns"
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  • Home
  • N - The Magic Flute
    • Magic Flute Overview Essay
    • Magic Flute Plot
    • Magic Flute Key Relationships
    • Magic Flute Original Production
    • Magic Flute Set and Costume Design
    • Magic Flute Set Inspirations
    • Magic Flute Legacy of Rosenkreuz
    • Magic Flute Freemasons and Rosicrucians
  • NE - Welcome!
  • E - Other Music
    • E - Music Genres >
      • 3 Lenten Works
      • A Few Little Words About the Motet
      • Facts and Fun about Madrigals
      • The Mass
      • Origins and Flourishing of the Concerto
      • What is a Requiem?
    • E - Composers >
      • Bartok: A Biography
      • Haydn: A Tribute
    • E - Extended Discussions >
      • Allegri: Miserere
      • Bach: Cantata 4
      • Bach: Cantata 8
      • Bach: Chaconne in D minor
      • Bach: Concerto for Violin and Oboe
      • Bach: Motet 6
      • Bach: Passion According to St. John
      • Bach: Prelude and Fuge in B-minor
      • Bartok: String Quartets
      • Brahms: A German Requiem
      • David: The Desert
      • Durufle: Requiem
      • Faure: Cantique de Jean Racine
      • Faure: Requiem
      • Handel: Christmas Portion of Messiah
      • Haydn: Farewell Symphony
      • Liszt: Évocation à la Chapelle Sistine"
      • Poulenc: Gloria
      • Poulenc: Quatre Motets
      • Villa-Lobos: Bachianas Brazilieras
      • Weill
    • E - Grace Woods >
      • Grace Woods: 3-27-23
      • Grace Woods: 1-16-23
      • Grace Woods: 12-12-22
      • Grace Woods: 11-21-2022
      • Grace Woods: 10-31-2022
      • Grace Woods: 10-2022
      • Grace Woods: 8-29-22
      • Grace Woods: 8-8-22
      • Grace Woods: 9-6 & 9-9-21
      • Grace Woods: 5-2022
      • Grace Woods: 12-21
      • Grace Woods: 6-2021
      • Grace Woods: 5-2021
    • E - Trinity Cathedral >
      • Program Notes: 11-20-09
      • Program Notes: 11-16-12
      • Program Notes: 4-18-14
      • Program Notes: 11-21-14
      • Program Notes: 4-3-15
      • Program Notes: 3-25-16
      • Program Notes: 4-14-17
  • SE - Original Compositions
    • Trinity "Hodie" Service
    • "Peace I Leave With You"
    • "The Road Not Taken"
    • "Epiphany"
  • S - Roses
    • Introduction
    • Sources for Old Roses
    • Useful and Interesting Rose Books
    • Around the Garden
    • 2012 Rose Garden
    • BOURBON
    • CENTIFOLIA
    • DAMASK
    • FLORIBUNDA
    • GROUND
    • HYBRID MUSK
    • HYBRID PERPETUAL
    • NOISETTE
    • OLD SHRUB
    • PIMPINELLIFOLIA HYBRID
    • POLYANTHA
    • PORTLAND
    • RUGOSA
  • SW - Chamber Music
    • 12/93 The Shostakovich Trio
    • 10/93 London Baroque
    • 3/93 Australian Chamber Orchestra
    • 2/93 Arcadian Academy
    • 1/93 Ilya Itin
    • 10/92 The Cleveland Octet
    • 4/92 Shura Cherkassky
    • 3/92 The Castle Trio
    • 2/92 Paris Winds
    • 11/91 Trio Fontenay
    • 2/91 Baird & DeSilva
    • 4/90 The American Chamber Players
    • 2/90 I Solisti Italiana
    • 1/90 The Berlin Octet
    • 3/89 Schotten-Collier Duo
    • 1/89 The Colorado Quartet
    • 10/88 Talich String Quartet
    • 9/88 Oberlin Baroque Ensemble
    • 5/88 The Images Trio
    • 4/88 Gustav Leonhardt
    • 2/88 Benedetto Lupo
    • 9/87 The Mozartean Players
    • 11/86 Philomel
    • 4/86 The Berlin Piano Trio
    • 2/86 Ivan Moravec
    • 4/85 Zuzana Ruzickova
  • W - Other Mozart
    • Mozart: 1777-1785
    • Mozart: 235th Commemoration
    • Mozart: Ave Verum Corpus
    • Mozart: Church Sonatas
    • Mozart: Clarinet Concerto
    • Mozart: Don Giovanni
    • Mozart: Exsultate, jubilate
    • Mozart: Magnificat from Vesperae de Dominica
    • Mozart: Mass in C, K.317 "Coronation"
    • Mozart: Masonic Funeral Music,
    • Mozart: Requiem
    • Mozart: Requiem and Freemasonry
    • Mozart: Sampling of Solo and Chamber Works from Youth to Full Maturity
    • Mozart: Sinfonia Concertante in E-flat
    • Mozart: String Quartet No. 19 in C major
    • Mozart: Two Works of Mozart: Mass in C and Sinfonia Concertante
  • NW - Kaleidoscope
    • Whimsy >
      • Egg Art
      • Exceptional Artifacts
      • Garden Ephemera
      • Musical Rarities
      • Nature
      • Reading Recommendations
      • Travel
    • Alfred Whittaker Introduction >
      • Alfred Whittaker CV
      • Alfred Whittaker Essays
    • Multidisciplinarity in Education and Research
  • Contact